“It is Boric’s native Mediterranean where he finds motifs and ambients for his paintings, the concept of clearness of the geometry, Pythagorean obsession with proportions, cleanliness of the cubes (Romanesque Gothic churches).
Drama between emptiness and volumes evokes the silence of De Chiricco and crystal structure of Morandi.
The author discovers expressive colours using the right modulation of warm and cold register.He perceives methodical mind and controlled sensibility of his own.”
Tonko Maroevic
